If you’re in London this summer then head to the Southbank Centre on August 13 & 14 for a weekend of free hands on workshops, cutting edge manufacturing, debates and film screenings on the theme of Power and Production. P&P was one of the original themes of the Festival of Britain and BCA and the SBC wanted the nation to reconnect with the idea of making, even if for just a weekend.
Soldering workshop by John Richards
The packed weekend include: workshops by John Richards Dirty Electronics teaching the art of soldering, under the bonnet sessions with the AA and hands-on advice on basic car repairs and maintenance, Mag Culture + Stack’s newsdesk publishes an independent magazine dedicated to the themes of the festival, a create your own app workshop with textextext_, our own Home Factory will open up a world of DIY design and projects; plus on display across the Southbank Centre site will be a large scale model of the Skylon Rocket by Reaction Engines, a Fuel Cell Black Cab, the original FoB bus that toured the country in 1951, the 3D printed EADS Airbike… plus other workshops and events across the site. Phewww!
If that’s not enought, one of the highlights of the weekend will be on saturday night when Evan Davies, presenter of BBC’s Made in Britain series, hosts a panel discussion on the future of production and manufacturing in Britain, alongside Brompton’s Will Butler-Adams and Vitsoe’s Mark Adams. The evening will end with a film screening of Peter Sellar’s I’m alright Jack in Magnificent Revolution’s Cycle-in-Cinema powered only by the thigh muscle and sweat of members of the audience!
What links them all? A glimpse into the factory floor of the future where people can make, mend, move things themselves. Hope to see you there and bring family and friends!
Magnificent Revolution’s Cycle-in-Cinema
You heard it here first! BCA is curating the Power and Production weekend at the Southbank Centre this August as part of the Festival of Britain’s 60th Anniversary. We’re turning the Royal Festival Hall into a fully functioning workshop to get people making things. There will be soldering classes, 3D printing, printmaking, bike and car repair workshops and a whole lot more to be discovered.
Most workshops will be free or cost very little – so be sure to sign up beforehand. We’ll post a link to Southbank Centre’s website to do this shortly. Pencil 13th and 14th August into your diaries and look forward to seeing you there!
Watch the full film here! Produced by BCA, in collaboration with Visitor Studio, the film features Blists Hill Iron Foundry, automated Lost Wax Casting and Dr Adrian Bowyer talking about the future of manufacturing at home. Production Line is being projected onto an external stairwell of the Hayward Gallery as part of the Festival of Britain from now until September.
The Festival of Britain’s 60th Anniversary starts this weekend on the Southbank Centre. The summer-long festival is packed with events and exhibitions including BCA’s own installations on Power and Production. BCA has collaborated with photographers and filmakers to celebrate British makers and inventors, and new ideas in production.
Black Country Atelier’s Eureka Britain installation, one of three by BCA at the Festival, features makers in their working environments:
Wayne, former race mechanic: building a reconstituted racing car
Joel, mechanical technician: testing “hot lips” rocket engine
Merlyn, inventor: refining low energy glass furnaces
Gilo, designer: prototyping high speed helicopters
BCA’s Euraka Britain installation re-used an old gantry found in a steel fabrication yard in Shropshire. (photography: Georgie Clarke)
Over the summer there will be a number of events marking the 60th anniversary of the original festival; including a “Power and Production weekend” in August curated by BCA – more on that to come! We’ll also be uploading new features/interviews with the inventors we met.
Drop by and see us at the Festival!
BCA’s exhibition is in 3 parts. Eureka Britain, a series of portraits of makers and inventors at work in unexpected places of innovation, including kitchens and sheds and The Industrial Estate, a fly-poster installation depicting the modern industrial landscape at the edges of our towns and cities and Production Line, a series of short films tracking traditional to subversive production methods.
Here is a trailer of Production line.
Professor Adrian Bowyer is a 3D printing guru. This is not an exaggeration. Adrian invented the RepRap, a low cost open source rapid prototyping system that is capable of producing its own parts.We had the privilege to meet him to take his portrait and interview him for our Festival of Britain exhibition. Here are a few excerpts from the interview:
Who is using the RepRap?
The vast majority of people using RepRaps are in individual homes, though some companies have them as well. It’s moving the whole idea of manufacturing into the home in the way we have already done, for example, with music production and photographs. It used to be the case that we would put rolls of film and send them off in yellow envelopes. Now we have an entire photographic laboratory in our houses. If people have the ability to make things in their own homes, then people can almost divorce themselves from the conventional industrial route and start making their own manufactured goods.
Do you think that cheap 3D printers and 3D scanners herald a new industrial revolution?
We are supposed to have had two industrial revolutions already. One that people noticed and one that people didn’t. The one that people did was the one that happened at the end of the 18th/ beginning of the 19th century but in the 1950s computer control of industrial production was introduced and from the engineers perspective, that was as radical a change as the introduction of the steam engine. I suspect that if 3D printers lead to a radical change in the way that things are made, possibly leading to people making their own items rather than buying from factories, the change will be experienced as an acceleration rather than a bolt like in the 19th century revolution.
Is anyone from the wider community making anything wacky with the RepRap?
More far-fetched than having a machine print itself which was the initial idea for the project? There is a one guy in the United States who made a model of an entire gothic cathedral! No practical application but it’s beautiful. Lots of people make puzzles and devices that operate in non-obvious ways. Things with 3D gears. Anyone can make up puzzles and cubes themselves. People share what they are creating on the web. We have a website called thingyburst where anybody can upload designs. It’s like music sharing for real objects.
What are the next steps for RepRap?
As it’s an open project, people are taking in lots of different directions. Some people are trying to make smaller, more precise machines. We are trying to make a process where we are working with metal in the same way as plastic. The difficulty is that when you work with plastic and melt it, it’s still fairly syrupy and sticky. If you melt a metal, it is like mercury and will flow anyway. So what we are trying to do is to allow for that fact and make the system so that it can work with metals as well as plastics. I have a research student who is working on that right now.
We are thrilled to announce that BCA has produced an exhibition for the Southbank Centre’s 60 anniversary of the Festival of Britain! The original festival in 1951 was a post war ‘tonic for the nation’, an extravaganza along the Southbank site that showcased British inventions and ingenuity of the time. 60 years on and elements of the festival like the Skylon are remembered as landmarks of architecture and technology.
We were invited to interpret the theme ‘Power and Production’ which took us on the road with photographer Georgie Clarke and filmmakers Visitor Studio to meet local and west country inventors. We have met some amazing people who are tinkering away in kitchens, sheds and castles!
The four month long festival starts next Friday so we are busy preparing to install the BCA exhibition and film on site.